The colonization of Hollywood in the 1910s
actually occurred as an “independent” initiative
in defiance of the industry’s earliest
oligopoly: the so-called Motion Picture
Patents Trust, a cartel of film companies
(Edison, Biograph, et al.) that controlled the
patents for cameras and projectors. The
Trust was broken via aggressive commercial
competition and relentless legal challenges
by men such as Carl Laemmle, William Fox,
and Adolph Zukor—the studio pioneers and
oligopolists of the Hollywood era.
actually occurred as an “independent” initiative
in defiance of the industry’s earliest
oligopoly: the so-called Motion Picture
Patents Trust, a cartel of film companies
(Edison, Biograph, et al.) that controlled the
patents for cameras and projectors. The
Trust was broken via aggressive commercial
competition and relentless legal challenges
by men such as Carl Laemmle, William Fox,
and Adolph Zukor—the studio pioneers and
oligopolists of the Hollywood era.
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